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SB34 is a Brussels based non-profit organization providing qualitative and affordable artistic production studios, workshops and equipment. We also manage exhibition spaces in which local, international artists and art workers are invited to connect and collaborate to enhance the long term means of production, visibility and sustainability.

ABOUT SB34
CONTACT
ONGOING AND UPCOMING PROJECTS
PAST PROJECTS
︎ SB34 The Pool
Rue Saint Bernard, 34
1060 — Saint Gilles

Ongoing & Upcoming
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︎ SB34 Manchester
Rue de Manchester, 5-7
1080 — Molenbeek Saint-Jean

Ongoing & Upcoming
— SEMINAR, PERFORMANCES & PUBLICATIONS, EDITIONS, CURATED BY CARL HAASE (ZERO-DESK) 12,13,14.12.24
︎ SB34 Clovis
Boulevard Clovis, 83-87
1000 — Bruxelles

Ongoing & Upcoming
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︎ CWB Paris
— EVENT, VOSTOK - NOW I’M A LAKE, SIGNE FREDERIKSEN, MARGAUX SCHWARZ, HAGAR TENENBAUM, ELEANOR IVORY WEBER 6.12.24
Artist Studios

︎︎︎ THE POOL

Bravas Graphix
Alice Cuenot
Steven Cruz
Julie Denis

Alix Dussart
Luke Calzonetti
éditions la CAB/Charles Pigneul, Alan Jeuland & Brieuc Weulersse
Lars Herman Hegg
Julie Larrouy
Jacques Le Bourgeois
Anna Luz Pueyo
Sophie Martin
Rokko Miyoshi
Justin Sanchez
Marion Séhier

Shungu
Lukas Tanghe
Clara Villier

Thily Vossier



︎︎︎ MANCHESTER

Clara Agnus
Estelle Chatelin
Eleanor Evory Weber
Kim Laugs
Raphaëlle Lasausse (SolidÉditions)
Raphael Mathieu
Yuna Matthieu-Chovet
Matthieu Michaut
Leila Pile
Laura Stellaci
Everaert Verlinden
Rafael Vogel

Camille-Amandine Marino (production residency in association with Botanique)
info@sb34.org

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SB34 is a Brussels based non-profit organization providing qualitative and affordable artistic production studios, workshops and equipment. We also manage two exhibition spaces in which local, international artists and art workers are invited to connect and collaborate to enhance the long term means of production, visibility and sustainability.

























(c) Silvia Cappellari 

︎ TEXT 

Acme Vision aims to question the codes which define the cartoon as a cinematographic or TV genre, not only by shedding new light on these
animation practices, but also by going beyond the characters and other visual signs that are regularly called upon when looking for links between cartoon and contemporary art.
The title of the show refers to the «Acme Inc.» Company imagined by Chuck Jones, one of Looney Tunes’s main authors, who was inspired by the Greek word «akmê», translatable as the idea of the extreme point of a tension, a statement or a situation.The reference to cartoons in the reading of a gesture, can also be seen as an attempt to emphasize the movement made by the artist in the production of a piece, the action itself and the strategy it expresses, like the traps that the characters set for each other.
These traps have above all as a finality the entertainment of the spectator by an expression without limit of the impulses attributed to each character. Moreover, these narrative mechanisms often come as a way to twist the
reflexes of our intern logic by avoiding the final situation that we would expect from what we already know of reality.This exhibition is partly inspired by a Muhka show, El Hotel Electrico, which reconsidered animation practices in its most original form by a choice of works that distinguished them from the moment when it was «constrained by the conventions and the industrial approach as a mass medium.»
Acme Vision is an attempt to counterbalance or create an impertinent follow-up to this proposal.

Curated by Lucien Roux

︎ Open on Sat & Sun. 14:00 - 18:00 & by appointment at acmevisionvisit@gmail.com

With the support of Fédération Wallonie Bruxelles